5,245 Royalty-Free Audio Tracks for "Compositions In G Flat Major"

Tamo Daleko, April 1917. Columbia Phonograph Company. Audio restoration by Steven Kozobarich.

Sunflower Slow Drag is a ragtime composition by Scott Joplin and Scott Hayden, performed as a wind band arrangement of a piano original. Recorded between May 23 and 27, 1994 by the United States Marine Corps Band at the Center for the Arts at George Mason University in Fairfax County, Virginia.

Pipe Organ and choir from First Presbyterian Church of Hartford City, Indiana. Original tape recording late 1960s.

Major triad on C. Created using Sibelius.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 25 Prelude No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 26 Fugue No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 26 Fugue No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 25 Prelude No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

The Bee's Knees performed by the Virginians, Victor 19000A

Piano rendition of bars 13–16 from Francisco Tárrega's composition for solo guitar "Gran vals" (1902) as used in Nokia's Nokia tune

Lydian augmented scale on C.

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

French: Le Roi Dagoberttitle QS:P1476,fr:"Le Roi Dagobert" label QS:Lfr,"Le Roi Dagobert" LilyPond source

Song from The Remains of Tom Lehrer

Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.

Klaus song (Klausenmelodie). Klausjagen, Küssnacht, Switzerland.

Francesco Tamagno, the creator of the role, sings "Niun mi tema" (Morte d'Otello) from Giuseppe Verdi's Otello. Sung in 1903, Tamagno would die just two years later.

Marie Rappold (1873–1957) performing "O patria mia" from Verdi's Aida, with orchestra

Australian Christmas Carol 1915 by Arthur Chanter (1866-1950) and Tom Collins (1843-1912)

A song from The Remains of Tom Lehrer

I'm Forever Blowing Bubbles, performed by Ben Selvin and His Novelty Orchestra (recorded 31 July 1919)

A modified stereo recording of the Internationale in the Italian language, lyrics composed by E Pote & sung by soloist Coro Le Camice Rosse.

Diatonic scale on C, transposing clef.

In scale on D.

Diatonic scale on C, bass clef.

Istrian mode on C

Diatonic scale on C, guitar tablature clef.

Lydian dominant scale on C.

Diatonic scale on C, equal tempered. Created in Sibelius with no midi pitch bend for 12-tet.

A modified stereo recording of the Indonesian dialect of the Malay language, performed by the KOM.

Italiano: Trascrizione di Mario Foresi della canzone popolare Rondinella pellegrina, 1887

Francesco Tamagno, the creator of the role, sings "Niun mi tema" (Morte d'Otello) from Giuseppe Verdi's Otello. Sung in 1903, Tamagno would die just two years later.

Wolfgang Amadeus Mozart: Die Zauberflöte; performed 1953, released 1955. Cast: Wilhelm Borchert (rol: tenor; Erster Priester), Kim Borg (rol: bass; Sprecher / Zweiter Garnischter), Diana Eustrati (rol: contralto; Dritter Knabe), Dietrich Fischer-Dieskau (rol: baritono; Papageno), Ferenc Fricsay (rol: conductor), Josef Greindl (rol: Bass; Sarastro), Margot Guillaume (rol: soprano; Erster Knabe), Ernst Haefliger (rol: tenor: Tamino), Margarete Klose (rol: contralto; Dritte Dame), Liselotte (rol: soprano; Zweite Dame), Lisa Otto (rol: soprano; Papagena), Maria Reith (rol: soprano; Zweiter Knabe), RIAS-Kammerchor Berlin (rol: coro), RIAS Symphonie-Orchester Berlin (rol: orchestra), Marianne Schech (rol: soprano; Erste Dame), Maria Stader (rol: soprano; Pamina, Tochter der Königin der Nacht), Rita Streich (rol: soprano; Königin der Nacht), Howard Vandenburg (rol: tenor; Erster Garnischter / Erster Priester), Martin Vantin (rol: tenor; Monostatos, ein Mohr)

An orchestral arrangement of the "Toreador Song" from Georges Bizet's 1875 opera Carmen, played by the Damrosch Orchestra in 1903. The refrain of the "Toreador Song" begins at about 1:07, and is preceded by other music from Carmen.

Stereo recording of the Internationale in the Russian language.

Henry Fillmore’s The Circus Bee, performed by the United States Marine Corps Band, Timothy W. Foley, Director

Português: Samba choro. Interpretes : Carmen Miranda e Barbosa Jr. Disco Odeon 12042 B

Enrico Caruso and Antonio Scotti sing "O Mimì, tu più non torni" from Act IV of Giacomo Puccini's La bohème in a 1907 recording. This is Matrix C-4315, and was released under various labels under the variant name "Ah Mimi, tu piu". (details)

Harry Connick, Jr. and band playing "When the Saints Go Marching In". Harry Connick, Jr. plays a Steinway grand piano. (The singer is a child from the audience that Harry Connick, Jr. has invited up on the stage to sing). Harry Connick Junior et son orchestre, interprétant When the Saints Go Marching In le 21 février 2010 lors d'un concert à la Maison-Blanche à Washington, District de Columbia, aux États-Unis. L'enfant qui l'accompagne a été choisi dans l'assistance et invité à venir chanter sur scène.

Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.

*32 steps in 72 equal temperament on C. Equal-tempered: 232/72=16/36=8/18=4/9:1 = 533.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 534.375 cents rather than 533.344. New version a P4 on 85,74 for 533.3251953125 cents rather than 533.344.

*7 steps in 18-et on C = ??. Equal-tempered: 27/18:1 = 466.67 cents. MIDI pitch bend: 42,53

Dominant raised ninth flat five chord on C. C E Gb Bb D#.

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Dominant minor ninth flat five chord on C. C E Gb Bb Db.

John Philip Sousa's "The Gallant Seventh", composed 1922. Recording date not clear according to CD booklet, metadata suggests 1989 Українська: «The Gallant Seventh» Джона Філіпа Соузи, створена 1922 року. Дата запису не відома, згідно з буклетом компакт-диска, припускається 1989 рік.